Sunday, January 21, 2018

Friday, January 19, 2018

Poster & Ad Art for DALEKS INVASION EARTH 2150 A.D. (1966)

Advertising artwork for the second Doctor Who feature film starring Peter Cushing. 

Tuesday, January 16, 2018

Cereal Box Scary Records!

I was recently reminded of the odd 1970's phenomena of printing Halloween records on the back of cereal boxes. You would have to cut the square record off the box and then get it to lay flat enough on the turntable to play. As I remember it the little 45 sized freebies would often warp a bit making the entire process a little extra unnerving even if the stories were not all that scary. Would the needle stay in the groove long enough to hear the whole thing?  These were always fun little extras for the October season and they certainly worked to get me to beg mom for particular cereals even if I usually didn't care about that brand. 

Here are a few of them available on YouTube! 

Sunday, January 14, 2018

Beyond Naschy #22 - THE GHOST GALLEON (1974)

The new year starts with a shiny new episode of Beyond Naschy! Finally returning to the cinema of Amando De Ossorio the NaschyCast dives into the waters of the North Sea and are surprised to find that the Blind Dead lurk there waiting for fresh victims. The third of this classic Spanish Horror series is called THE GHOST GALLEON or HORROR OF THE ZOMBIES or THE CURSED SHIP but under any title it is a problematic film. Seeking to add new ideas to his signature creation Ossorio puts his Undead Knights Templar on an 18th century galleon that seems adrift in both the oceans and time itself. Only occasionally visible in our world, this ship encounters unlucky sailors or tourists and, in this case, it happens to bump into a pair of bikini clad young ladies looking to set a ridiculous publicity stunt in motion. As you might expect, things do not go well for them or their intended rescuers. The satanic living dead rarely seem to take pity on people no matter how cute they may be.

Troy and I deep dive into this one with the hopes of changing our original poor impressions of it. Do we come to love this film now or has age still not scraped the barnacles off this dark hulk? Listen in and see! We talk about the film's rushed production and it's multiple titles while also letting listeners chime in with their thoughts as well. We discuss the possible symbolism present in the movie and spend some time picking over the film's troubling attitude toward women. The wacky professor character shows us how to be a very strange fellow but somehow also the most useful member of the crew. Who knew that a flaming crucifix would help hold off the Blind Dead?

The show can be reached by email at or on the FaceBook page. We plan to ask for more input in the future over on FB so join us there for more information. Thank you for downloading and listening!

Friday, January 12, 2018

What I Watched in December

I'm surprised that there haven't been more big screen at adaptations of some of Agatha Christie's more famous novels over the past few decades. As soon as I heard that Kenneth Branagh was planning to adapt MURDER ON THE ORIENT EXPRESS for a new feature film I was kind of amazed that it had been over 40 years since the last time someone had done so. I would think that there would be enough interest in such a thing for there to be a new version of this tale told on the screen every 20 years, give or take. But then again, maybe it's a good idea in the age of home video to let the story lay low long enough for the general audience to forget that they might already know the solution to the central mystery. Regardless, this adaptation of the story is fantastic. I love this twisty tale and the stunning cinematography is worth the price of admission all on it's own. The fantastic cast brings energy to the proceedings and the movie moves along very well even if the occasionally artificially goosed pace seems a little out of place in at least one spot. Branagh is a fine director and is an excellent Poirot, finally bring his magnificent mustache to the screen in it's gargantuan glory. I very much look forward to the sequel film of Death on the Nile whenever it appears.

I think that I am no longer the correct audience for a Star Wars film. As a matter of fact, I think I may not have been the correct audience for a Star Wars film for about 20 years. Of the three Disney produce Star Wars films in the past 3 years I've liked only one of them and it's the one that doesn't have an Episode number in it's title.

THE LAST JEDI has turned out to be a very divisive film for fans and I can completely understand. I used to count myself as a Star Wars fan but, having grown up much more attached to Star Trek, Star Wars has always seemed a little too tied to Fantasy for me to really feel wholly attached. This new film continues that - as it should, I suppose - but there might just be something about this universe that makes it so artificial that I can no longer care about it. Everything about the barely-there story of this feature feels like it's there for some reason other than to tell a tale. It's like a series of slightly connected segments or television episodes meant to evoke recognition or nostalgia instead of creating something new. 

That being said, I did enjoy about 30 to 40 minutes of THE LAST JEDI. The entire confrontation with Snoke, the large-scale lightsaber battle all the way up through the splitting of the lightsaber between Rey and Kylo Ren was a fascinating and well done film sequence. It's the film's most well handled action sequence with understandable emotional reasons for the actions taken wrapped in colorful and vividly cinematic skill . It really is great but all it accomplishes for me is to point toward the next film where I guess we'll end this dance of powerful Force users -hopefully. Also admirable is the theme of leaving the past behind so as to carve out new ideas and new stories in an attempt to forge new movies that aren't beholden (and I would say crippled) by adherence to the shape and form of the original trilogy. Do we really need to keep 90% of these film's dialog as bad as the 1977 original? Really? Do we?  

It is both the stylistic and structural holdovers from the original trilogy that make the Last Jedi such an uninspired and weak experience overall. For all the talk of forging a new path, this movie feels dragged down by holding onto the past. That's the only excuse for that extended Casino World/Cantina sequence. Talk about needing to leave things in the past!


SPLIT (2017)- 8 (rewatch)
WEREWOLF & THE YETI (1975) - 7 (rewatch on Blu-Ray)
GHOST STORY OF YOTSUYA (1959) - 7 (Japanese spectral vengeance)
SUSAN SLEPT HERE (1954)- 8 (rewatch)
BRIGADOON (1954) - 7
AT SWORD'S POINT (1952)- 5
THE SIGN OF ZORRO (1958)- 5 (Disney TV show cut into feature)
SANTA CLAUS (1959) - 4
BRIGHT (20117) - 5
CYBORG 2087 (1966) - 5 (cheap but interesting SF)
THE FOX WITH A VELVET TAIL (1971) - 8 (excellent if slow thriller)

Tuesday, January 09, 2018

THE GHOST GALLEON (1974) Poster Art

Sunday, January 07, 2018

NaschyCast Commentary for NIGHT OF THE SEAGULLS (1975) Announced!

Scream Factory has finally announced the extras for the forthcoming Blu-Ray of Amando De Ossorio's final Blind Dead film THE NIGHT OF THE SEAGULLS and I'm proud to say that it contains our seventh Spanish horror commentary track! We recorded this late last year and were thrilled to be able to expand on our previous Ossorio track for THE LORELEY'S GRASP. We took the time to talk a bit about the entire series, it's influences on other films and the qualities that make the Blind Dead so iconic. We might have even gotten a little too professorial for once! We'll let you decide when this disc streets in February.